![]() Whatever feeling of currency that answer might have had (and it's not exactly new anymore) is undermined by the dull, straightforward, obvious clue. Extremely literal clue on well-established slang. I dropped today's 1-Across in immediately, with no crosses in place ( 1A: Lures into a relationship by using a fictional online persona). It would be nice to meet some pleasant resistance. Not obscurity teeth or awful forced "?"-clue teeth. ![]() All I know is that I would like the puzzles to have a little more teeth than they've had of late. I wonder if there's some kind of long-term plan to lower the difficulty bar across the board, so as to make the puzzle more generally accessible. For films with wider aspect ratios (2.39:1, for example) the matting bars will appear on the top and bottom of the screen of the broadcast image, thus preserving each director's framing intent. With high-definition television now in common usage (with its standardized 16:9 (1.78:1) aspect ratio), the need to reformat 1.85:1 movies for television viewing has virtually evaporated, although television broadcasts still reformat 2.39:1 movies by means of using open matte or pan and scan. Films shot anamorphically use the entire 35 mm frame (except for the soundtrack area), so they must use pan and scan as a result. Instead, those films will employ either pan and scan or reframing using either the well-protected areas or the areas of interest. Open matte can be used with non- anamorphic films presented in 2.20:1 or 2.39:1, but it isn't used as often, mainly because it adds too much additional headroom, depending upon how well the framing was protected or if the director chooses to create a certain visual aesthetic. Open matte is a filming technique that involves matting out the top and bottom of the film frame in the movie projector (known as a soft matte) for the widescreen theatrical release and then scanning the film without a matte (at Academy ratio) for a full screen home video release. This story will be updated if more information comes to light.Word of the Day: OPEN MATTE ( 66A: Film technique that accommodates wide- and full-screen display). I had originally tried to make it work in a 15x15 grid but then decided to expand the grid out to a Sunday-size puzzle with a fun whirlpool shape. Thrilled to have my first Sunday puzzle in The Times! This grid features one of my favorite open middles that I've made as it pulls from a variety of subject areas. McCarty also initially noted that the idea behind the crossword puzzle was simply to create a "fun whirlpool shape": ![]() He started this grid in the middle and worked his way out, stirring in a heap of fresh, lively vocabulary, including 20 debut entries. This is his 23rd Times puzzle, and nearly every one has been a Saturday themeless construction. Weekend solvers will be very familiar with his name, even though this puzzle is Ryan's Sunday debut. He is also a baritone in several vocal ensembles. Ryan McCarty of Washington, D.C., is a principal consulting manager at a company specializing in data analytics for clients in the federal government. Shortz said that the creator of the puzzle simply "started this grid in the middle and worked his way out": When the crossword puzzle was first published, the design was described on the Times' website by editor Will Shortz. It's true that this image showed the Sunday crossword puzzle from The New York Times, and that it did somewhat resemble a swastika shape.īy email, a spokesperson for The New York Times shared the following statement: "This is a common crossword design: Many open grids in crosswords have a similar spiral pattern because of the rules around rotational symmetry and black squares."
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